Struan Douglas

Born in Durban Umhlanga Rocks to Tessa and Robert Douglas in 1976, Struan was named after a town in Scotland where they produce excellent honey. Struan is born into an artistic family and the youngest of four children. After matriculating from Michaelhouse in KZN, Struan attended UCT where he studied to honours in Social Sciences; Religion and Philosophy. "Following a brief encounter with Winston Mankunku (jazz saxophonist) in 1999 and a long encounter with Jim Bailey (Poet) my life took on a heightened meaning purpose and awareness. I fell in love with Africa and South African Jazz Music."

The website afribeat.com was launched April 1st 2000 in likeness of Jim's Drum magazine.

To sustain his passion for South African Jazz Struan became a 'Jazz Journalist,' work he continues to do to this day. Since 1999 to the current day, he has contributed on South African Jazz Music for a variety of publications and radio stations.

The website afribeat.com became the host and founding creator of many archives, recordings, books and initiatives.

Afribeat entered the recording industry through a partnership with SABC whereby the multimedia collaborations Archive Africa and Wondergigs were initiated in 2001

Afribeat entered a recording partnership with Mac Mackenzie to create the Goema Captains of Cape Town

Afribeat developed an African travel journalism and festival connection and artists exchange called Dancing with the Diaspora presented at WOMEX 2000

In 2005 Struan met Graham Michael Lesch. Graham had an important story to tell and engaged Struan in the editing and pubishing of Shadows of Justice. Shadows of Justice was the first self published book by afribeat.com. This initation created a platform for a number of other self published authors to follow.

Dr Bhengu’s African Midwife Institution, poets Adam Knight, Jim Bailey and Macingwane’s works have all seen the light of day since.

Today Struan is known as a South African based African cultural writer, performer, presenter, activist and educator. He has Bachelor Social Sciences Honours in Philosophy and Religion from the University of Cape town. He has a Royal School of Music grade 5 qualification in theory and trumpet performance from Ukusa at the University of KwaZulu Natal.

Cultural Management



Editor for Drum Magazine’s Jim Bailey (1998-9)
Founding director afribeat.com, African Music content portal. (2000 - )
Education archive at ILAM (2013 - )
Archivist for MELT2000 records (2005-7)
Participated in Creative Industries Draft Master Plan (2019 - )
Journalism (1999 - ) Columnist for Sawubona, Big Issue and Downbeat. Contributed writing and photography to Sunday, Saturday, African Independent, Mail & Guardian, Expressions, Cape Times, City Press, Sunday World, Biophile, Mini International, Skylife, GQ, Highlife, Pacific, Business Day, Sunday Times, Noseweek, Destinations, New Frame, City Life Arts, Billboard and New Africa Magazine.

Social Activism through Journalism



‘Dancing with the Diaspora’ African festival circuit WOMEX (2000 - ) Music goes to War FESPAM Congo Brazzaville (2001)
World Cup visiting journalists tour of Durban (2010)
Jazz in Germany Foreign Office Visitors Programme (2017)
Pan African Music Rights Investigation (2018 - )
Author Shadows of Justice (2007), The Story of South African Jazz. Volume One (2015), To the Peace on Earth (2019), The Story of South African Jazz. Volume Two (2019), "Holy Huriǂoaxa Shipwrecked (2020)
Photographer: Airborne to Africa (2012),
Design and Layout: Cryptic Cynic (2007), The New South Africa and the friends around her (2012), African Midwife Series (2012), Pleiades Isilimela (2019)
Music Production: Afribeat Compilation (2000), Archive Africa (2001), Moment in Cape Town (2002), Goema Captains of Cape Town (2003).
Produced events: Wondergigs (2001-2), The Story of South African Jazz: LIVE (2015 - )
Live Performance: Shine (2015) Steel ‘n Brass (2018 - ) Azuri Street Symphony (2018)
Film Production: Music Free Learning Season 1 Attunement (2020), Music Free Learning Season 2 Assimilation (2021)

Educator



“What is Jazz to you?” AV presentation grades 11, 12 (2020 - )
“Jazz is Freedom” AV presentation to schools and teachers (2021- )

Awarded Grants



2018 ANFASA (Authors non Fiction Association)
2019 BASA (Business Arts South Africa)


Author of the Story of South African Jazz Music Education Book Series


In this series of lectures tailored for South African Music syllabus Grades 10 - 12 we look at "What is Jazz to you?" The music is spiritual, unlimited and transcendental, built on a solid history of self-expression where finding oneself is the present in every era. Our South African jazz comes from the place of our highest selves and is like the vivid array of colours that are natures' true abundance.

"Jazz is Freedom" likes at the lives of the great South African musicians and how they embodied freedom. Other topics include "Music of the post-apartheid era," and "The traditional instruments of Southern Africa."

Unique presentations built on the history and heritage of South African Jazz and delivered as a coherent synthesis of the journey of the great music makers. This documentation is made up of archive + raw visual, intellectual and audio footage augmented with anecdotes, stories and improvised explanations of the great ideas. The Archival Approach; Mentorship Approach; South African Jazz timeline; Jazz and Protest; Development of urban jazz; Important names late and living; Inclusive approach; SA Jazz music language, and the meeting of the fourth industrial revolution and the fifth dimension of co-creation are some of the themes that link to school syllabus.
South African Jazz fits into the International Examination Board Syllabus and Curriculum Assessment Policy. Including topics such as cross-over music, Kwaito, SA protest music, Afrikaans protest song, SA rock, SA Urban music (instrumentation, improvisation, rhythm, melody and harmony, marabi progression, characteristics, leading artists, and the socio-political context); Ingoma ebusuku styles including mbube and isicathamiya, early jazz including marabi, vocal jive jazz, kwela, jazz and mbaqanga. And, a coherent synthesis on music rights and all seven aspects of the music industry. Jazz and Freedom education lectures are not only an interpretation of an aspect of South Africa's jazz history, but they are also a clear documentation of the journey of the hero.
The three volume book series Story of South African Jazz is told through Five Distinct Rays of South African Jazz, following the distinct SA jazz timeline of 5 rays with access to both ancient and future.
First Ray Golden Era, 1950s:
Musicians Journalists Photographers, Shebeens, migrant labourers and a Pan African movement.
Second Ray Exile & Inxile: 1960s:
After Sharpeville 1960 the jazz scene is split. Exiles to Europe and the US, inxiles keep the fire burning at home.

Third Ray Liberation Era ,1976 – 1986:South African Jazz and the struggle becomes universal and unites with all forms as with Graceland. World Music
Fourth Ray Freedom Generation, 1994 beyond 2000 builds on the past with an eye to the future a new integrated sound.
Fifth Ray Musical Co-Creation, 2020 brings a New South African Jazz and Identity Renaissance, where education, industry and musicology unite to project a 4IR approach into the 5th dimension – co-creation industry.

“Jazz is a unifying language. It brings people together and provides the vocabulary to have a great musical dialogue. SA jazz is a transformative shift to sharing. It is uBuntu in action.” Struan Douglas



CULTURAL CO-CREATIVE

@STRUHURU